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Our journey begins with a Pimm's Cup cocktail at the Napoleon House, as Mr. Luz and I sit and sip, preparing for the amazing dishes that await us at the Green Goddess. The Napoleon House is quintessential New Orleans. The paint that peels off the thick stucco walls has probably been there for decades, and the orange light bulbs in the overhead fixtures burn like the hot, hot tropical nights that are to come as Louisiana moves towards summer. The patrons move slowly, and gaze out the windows onto the street for long periods of time--they observe the landscape, and they are the landscape. Mr. Luz and I breathe it all in--we've been suffocating, and this--right here--is our lifeblood.
We talk about Chef Chris DeBarr, who was named New Orleans Best New Chef in 2006, the draw of his food, and his new restaurant, the Green Goddess. Chef DeBarr has emailed me at 4 a.m. in the past few weeks to update me on the Grand Opening of the Green Goddess, and to describe the amazing products he managed to procure for his endeavor. Waking up to pages and pages of Chris's writing detailing the amazing ingredients discussed below was like beginning the day with a book of poetry. There's something about the early morning light and the late-night musings of a passionate chef that just feels right in my world. As we finish our drinks, Mr. Luz and I also reflect on the urban bohemian utopia that is New Orleans, and how Chef DeBarr at times embodies the wild, lyrical tolerance-nay, celebration of diversity, that is this city.
We leave the Napoleon House, and took the short walk to Exchange Alley. The Green Goddess is in an intimate alley that gets full sun approximately 2 hours of the day, and is a breezy, shady oasis otherwise.
After reaching the Green Goddess, we had the pleasure of talking with Miz Marrus, designer of the Green Goddess's gorgeous sign (absolutely essential to any N'awlins establishment). She told hilarious stories about iterations the image went through--at one point Chef DeBarr requested imagery from Greek and Roman mythology, the Statue of Liberty, and a Mardi Gras Indian all at once--to get to the wild, powerful image we have today. You can find more details here.
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Mr. Luz started with the Brazilian Samba and I ordered the Island Sea Breeze from the Green Goddess "Juicy Cocktail" menu. The Brazilian Samba features cashew fruit juice, sparkling apple juice, white tea, and agave with frozen young coconut juice floating on top, and the Island Sea Breeze has Ting (Jamaican grapefruit soda), hibiscus, acai juice, and lime juice. The drinks were complex, refreshing, and perfect for a sunny New Orleans late afternoon. Like any perfect creation, you can taste all of the elements independent from one another, and you also get an entirely different experience as all of the flavors harmonize into one.
We begin the Tasting Menu with the Niigata Bruschetta with edamame and mint tapenade with Japanese crazy wintry malted chiles on olive bread, paired with Chef DeBarr's Salty Banana Mango Lassi with basil seed drink "fault line" and curry sugar rim. If the Green Goddess were a microcosm of the utopian bohemia that is New Orleans, this dish would best represent the diversity that makes New Orleans so exciting. As Chef DeBarr tells the story, the tapenade is made of chiles that grow in the mountains of Japan. The chiles are packed in snow to mellow and sweeten their spicy elements, and then fermented in rice malt from the Niigata region of Japan for three years. The result is a salty, umami chile that Chef DeBarr mixes with fresh edamame and mint from his garden before spreading on thin, soft slices of bread. The dish is simultaneously sweet, earthy, and light on the palate. Chef DeBarr pairs the Niigata bruschetta with his dynamite Mango Banana Lassi (an appetizer in itself ) for a fantastically bright and decadadent first course.
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Chef DeBarr's Green Goddess restaurant takes a purposefully and almost prayerfully distilled approach to melding fresh ingredients with exotic whimsy. In that way, he takes the traditional N'awlins approach to cooking, where roux-making is almost spiritual, and makes it his own. It is eclectic and original, in the most warm, approachable, and thoughtful way. Mr. Luz and I felt privileged to be able to attend a tasting dinner at the Green Goddess, and to enjoy the celebration of music, love, diversity, spirituality, and above all--rare and complex ingredients prepared with reverence--that the Green Goddess has to offer.
Other highlights from Chef DeBarr's dinner menu at the Green Goddess:
South Indian Savory Ivory Lentil Pancake (aka: utthappam) with petite green peas,
mustard seeds, kalonji, and spiced tomatoes with tamarind chutney & fiery dal. This dish tastes like an inside out samosa, fluffy and fun, and the tamarind paste puckers your palate in a good way!
Second favorite dish of the night: “Spooky” Blue Corn Crèpes with huitlacoche, (a
rare Aztec corn fungus) mushrooms & brandy ragout, finished with porcini salt and butter.
Holy Lord.
The huitlacoche can best be described as a sort of "noble rot" that gives the corn a meaty flavor and texture. The porcini salt and butter hits you in the face all at once and with every bite, and lends a truffled element to the dish.
Our final entrée was the Bison Bacon Meatloaf with asparagus roasted with serrano ham and twice baked potato and spicy steak sauce. My favorite part of this dish is the twice baked potato. The potatoes are whipped with yogurt instead of sour cream and then baked with manchego cheese. Scott told us that "you can't get the potatoes creamy enough for Chef Debarr-you could whisk butter, cream, and yogurt into them for hours and they're still not creamy enough." Awesome.
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